Moonlight: What's Left Behind
May 10th 2008 06:20
A little boy named Jacob huddles in his bed at night, eyeing the cracked up door and the red light beneath it. Scratching and bumping noises echo from within the walls. Jacob musters up the courage to get out of bed…approaches the door…and…BAM! He slams it and dives back under the covers.
The bumping noises continue, and Jacob sits up to make sure his toys are all still in a defensive line in front of the door. They are. Just when he’s about to relax, whoosh! Two arms swoop down out of the ceiling and pull Jacob out of his bed.
~*~*~
Beth meets Talbot outside of his work, where he buys her a cup of coffee and asks her how life unemployed is working out. She says she’s baking a lot.
They sit on the stairs and Talbot asks if she’s heard about the little boy who was just kidnapped. She has, she’s also covered two similar stories last year. Talbot knows this. In fact, that’s exactly why he’s called her here. He wants Beth to come with him to check out the crime scene, see if there’s any similarities, something they might have missed. Beth is confused, but agrees to go.
~*~*~
Mick and Josef come back to Mick’s apartment arguing about couches. Josef can’t believe he doesn’t know the difference between models and Mick argues that he thought when Josef invited him out for a night on the town he was thinking more along the lines of jazz music, cigars, maybe some fresh from the vein blood…but definitely not couch shopping.
Josef just sighs and tells him that he can’t help it if he had to fire his office designers. He pours himself and Mick some blood and Mick asks casually, “So are we gonna find your designers at the bottom of the tar pit?”
No, Josef doesn’t have time to kill everyone who ticks him off. He has to hire people for that. Mick can’t believe that even though he was a human for such a short time, his body still can’t figure out what it wants, blood or juice?
“Blood or orange juice, yeah it must be particularly confusing,” Josef answers, taking a drink. Mick grins and Josef gets up, grabbing his coat. “I’m sorry about your jet lag—maybe I should say human lag—but I am hearing the call of sub-zero oblivion.”
He heads towards the door and notices that Mick is staring at the TV where Beth is at the crime scene and Jacob’s dad holds a picture for the camera, begging for help in finding his son. Josef pats his friend on the shoulder, telling Mick it’s just sad the Pavlovian response he as to Beth.
Josef leaves and Mick continues to stare at the TV at Jacob’s picture.
~*~*~
At the crime scene, Mick stares at the house and Beth notices him. She tells him Talbot asked her to come and asks why he’s there. He replies that he grew up in this neighborhood.
When she asks him if he’s okay, he smiles and says, “Yeah.” Okay…she heads off…
FLASH to the past
We’re in Mick’s memory. Right before he went off to the WWII.
Mick: (VO) Josef thought seeing Beth that drew me here. But it wasn’t, it was the house and the people who lived in it. My buddy Ray and his wife Lila.
Mick and Ray head for the car and Lila calls out to Mick to watch out for her husband. “He trips over his own shoelaces.” Mick assures that “well if he does, I’ll be there to pick him up.”
Mick watches as Lila runs down to the car to kiss Ray goodbye and tell him she loves him. He promises to come back to her.
Mick: (VO between shots of now and then) We’d been friends all our lives…I loved them. *flash on Mick and Lila making out on the porch* And then I betrayed them.
~*~*~
Mick enters the house where forensics are all over the place. Jacob’s dad spots him and tells him all the detectives are upstairs. Mick tells him that he’s actually a PI. Robert doesn’t remember calling a PI. Mick tells him he volunteered, he grew up down the street.
Mick nods towards a picture of Lila and Ray on the mantel. “Those your parents?”
Robert nods and asks Mick if he knew them. Kind of, he just didn’t know they had any kids. Robert says, “Just me. I was a baby-boomer.” Mick nods.
One of the detectives shows up to call Robert in and starts to say, “Mr. St. John I don’t know who let you in but—”
Talbot cuts her off. It’s a child abduction case. They’re going to need all the help they can get. Mick thanks him after the detective leaves, and they both head up to listen to the rest of the interview with the parents.
Upstairs, Mick spots Beth in the room as the detective asks if anyone was bothering Jacob. No, but he was having nightmares. He heard tapping coming from the walls…they don’t know who could have done it.
Mick calls the detective over to ask if he could have a look upstairs, and she curtly tells him that forensics are still working. “Come back in a few hours.”
Mick exits the house muttering, “Yeah great. Couple of hours so they can trample anything useful.”
Beth follows him out and asks him if he knows Robert. No, why? She points out that he’s acting a little weird. He shrugs it off.
Beth goes back to the case, no sign of forced entry, it’s like Jacob was taken by a ghost.
“Or a vampire.” Mick tells he’s going to check on somebody he has in mind. Someone Talbot wouldn’t know about.
Beth heads back inside as Mick glances at the house. He’s not surprised Ray and Lila never mentioned him to Robert.
~*~*~
We’re back in WWII: A forest in Italy.
Mick, Ray, and a few of their buddies are sitting in the forest eating. Mick would give anything for one of Lila’s Sunday dinners right about now. Ray “MMmmm”s knowingly. He jokes that not only could his wife could cook a ham so juicy it could tempt a Rabbi!
Suddenly shots ring out. They’re being attacked!
One of the men gets hit right away, and Mick rushes over to help him. Ray spots the shooter in the bushes and rushes out, gun ready. Mick calls after him ,but he pushes on, shooting the guy in the head. He looks back at Mick. They nod at each other.
~*~*~*~
Present Day
Mick: Ray saved my life so many times. And I saved his a time or too. That’s what happens when you’re fighting in a war.
Mick gets in his car and heads off.
Inside the house, Beth checks out Jacob’s bedroom. She notes the toys lined up in front of the door and points them out to Talbot as a warning system. He asks if that’s what she did when she was taken and Beth is surprised. How does he know about that? He tells her it’s his business to know. He also points out that when he asked her here it wasn’t a group invitation. Beth just answers, “I didn’t call him.”
~*~*~
Mick shows up at a playground to confront a nervous vampire who’s always loved kids’ blood. Less free radicals and all. Mick casually sits down on the bench, putting his arm around the vampire to keep him from running.
“Tell me you didn’t take that kid in West Adams last night Leo.”
“Mick you wound me,” Leo answers nervously. “I’m not a pervert.”
“And I’m not the cops Leo.” He reminds him that he’s not leaving without an answer. He’ll get one, it just depends on how Leo wants to do this. The easy way, or the hard way?
Leo insists he didn’t take him. “Children are a precious gift…I just like their blood.”
Mick asks Leo where he’s getting his blood, and Leo tells him mostly from runaways. He buys them drinks then taps a vein while they’re sleeping it off. He doesn’t kill them, even leaves them cash when he’s done. “More than they’d get at the blood bank,” Leo mutters.
Mick turns to Leo, close enough that he can see his eyes and fangs. “Leave. The runaways. Alone. Leo.”
Leo rushes off, scared.
~*~*~
Mick studies Jacob’s family photos and asks Robert if there’s maybe a real life explanation for Jacob’s fears. An old housekeeper? Angry ex-wife? No there’s no one like that.
Mick spots an old picture on the wall and asks, “Is that from World War II?”
Robert pulls the photo off the wall to hand to her. “Yeah. That’s my dad, Ray Ford. He was stationed in Italy.”
Beth stares at the photo of Mick.
~*~*~
Meanwhile, Mick is staring at his own copy of the photo. He pulls out a picture of Lila and thinks about the fact that Robert was born only 7 months after Ray got home from the war…*quick flash to Mick and Lila on the porch again*
There is a knock at the door.
Mick gets up to answer it. It’s Beth.
“Okay so I saw a photo of you at Robert’s. You were in the war with his father, why didn’t you tell me you wanted to help because you knew the family?”
Mick still hasn’t bothered to close his office door. He stares at her a moment then answers, “Because they could BE my family.”
Beth stares at him. Whoa, what?
~*~*~
That night in his apartment, Mick tries to explain.
“Years before I became a vampire I was just another soldier in WWII. Ray was my best friend.”
*Begin flashback of his explanation*
“In the late summer of 1944 we were fighting together in Italy…”
Mick, Ray, and a bunch of other men all pause to listen to gunfire. Where’s that coming from? Suddenly they’re attacked from the sky. Things begin to blow up, people are running, it’s chaos.
Ray’s hit!
Mick runs back for his friend, trying to get him to stay with him as he tries to patch him up. Disoriented, Ray asks Mick to take care of Lila. Mick just tells him to shut up, he’s going to be able to take care of her himself! Ray won’t listen. He begs Mick, “Tell her that I love her…Tell her…”
“I’ll tell her Ray….Ray?”
Mick looks up just as another bomb is dropped.
~*~*~
Present:
“A week later I woke up in a field hospital. Wounded, but alive. They told me I was the only one who survived from our patrol,” Mick says, then adds, “And eight months later I was back in the states.”
Past:
“Of course Lila knew that Ray was gone, but…I needed to see her.”
Mick knocks on the door and Lila comes out. They hug each other and cry.
Present:
Mick continues to explain, “We were devastated. And a week later the war in Europe was over and there were parades in the streets…There were picnics. Everybody was starting over.”
Past:
Lila comes out of the house to tell Mick to take a break from his sawing. “I swear you’re going to start fixing things that aren’t even broke!”
He likes to keep busy. She knows how he feels. It works for the most part…until she tries to go to sleep at night.
Mick breaks the tension by teasing that he still doesn’t know how a woman who built airplanes for three years can’t figure out how to change a fuse. Lila laughs. “It’s not that can’t. Ray just…always used to take care of some things.”
The lighthearted mood is gone. Mick takes another drink then says, “Ray wanted me to take care of you.”
He’s still hurting from the loss of his best friend, and she can see it. “Well you do Mick.” He looks up at her as she repeats, “You do,” and kisses his cheek.
They stare at each other a long moment…then lean in to kiss.
Present:
Beth: You started over with Lila.
Clearly bothered, and sad, Mick answers, “I know how it sounds, but you—it just,,,kind of, happened. It didn’t—it just happened.”
“So you think Robert—How could you not know you had a son?”
“When I left Lila I had no idea she was pregnant,” Mick assures. “But I checked Robert’s birth date and it’s possible.”
Beth asks him why she left Lila and Mick answers, “Because Ray survived. He was in a coma for months, lost his dog tags, the army didn’t know who he was. When Ray turned up, I made myself scarce. What else could I do?”
Clearly Mick still feels unbelievably guilty about it all. “I left my best friend for dead, and then I stole his wife. It was wrong.”
Beth tells him that “It wasn’t wrong if it was love. Was it love?”
Mick thinks about Lila, then answers, “Yeah. Yeah I think it was.”
Beth is still trying to take all this in when Mick suddenly changes the subject. It’s been a few hours, the forensics people are probably done with Jacob’s room by now. He gets up to leave.
~*~*~
Mick and Beth walk through Robert’s house and Mick thinks, “It’s strange to have a son who looks old enough to be your father.”
Robert frowns at Mick, he seems somehow familiar…Beth cuts in that “he was all over TMZ last week.” No, that’s not it. Robert asks Mick if he knows his family and Mick just answers, “No I don’t think so.”
The doorbell rings and Robert excuses himself.
Mick and Beth enter Jacob’s room, where Mick takes a big whiff and decides that this was definitely a human crime. There’s no scent of a vampire. Beth asks him, “can’t you scent if Robert’s your son?” No, it doesn’t work like that.
Beth suggests a DNA test, but that won’t work either. Mick’s DNA was “fundamentally altered” when he became a vampire.
Beth: What about pre-vamp DNA?
Mick: *smiles* I have a lot of skills, time travel is not one of them.
She presses. What about a lock of hair from a family Bible or something? Maybe, but Mick didn’t keep much from when he was human.
Mick spots some powdery substance on the window blinds. It’s powdered metal. They both glance up at the ornate golden ceiling and Beth remarks that they’re lucky they have the mobile vampire lab. Mick just smiles.
They head upstairs to the attic, and Mick figures out where Jacob’s room would be. He lifts up a panel in the floor. “This is it. This is where he watched Jacob.” They’re both disgusted. Mick lifts up a panel of the ceiling and drops in.
He hangs there a moment. “So this is the door he came in.” Then flies back up. Beth still can’t get used to all his vampire skills.
Downstairs, Mick asks Robert who had access to the attic. Robert sighs. They just renovated recently, the list of names is huge. Okay, they’re going to need all those names.
Beth points out that if the kidnapper made a secret way into Jacob’s room, maybe he made a secret way into the house. Mick remembers that these old houses have a coal shoots. He quickly finds the one in the kitchen. “And it’s a way into the house.” It’s also been opened recently. Once the kidnapper was in the kitchen he could have taken the servants’ stairs up to the attic.
“To take my son,” Robert finishes. He heads back inside, upset.
Beth says that Jacob was right, the monster was inside the walls.
Mick adds, “And in the floors, and in the ceiling…”
…And in that car across the street watching them as they head inside…
~*~*~
Forensics and Talbot are back to take pictures of the coal shoot. Talbot asks Mick how he knew about the shoot, and Mick simply answers, “I grew up in a house like this.”
“Right here in LA?”
“Yeah.”
“What school did you go to?”
“What are you investigating me?”
“You got something to hide?”
“No not anymore. The paparazzi exposed all my deepest secrets,” Mick answers easily. “Shoe size 10 ½, favorite color blue—”
“Boxers not briefs,” Beth cuts in, showing up to ask how they got onto “this delightful subject”.
Mick turns to Beth as Talbot stares at the floor. “We digressed.”
Beth gets them back on the case. Although all the previous crimes took place in different parts of the city, they were all turn-of-the-century Victorians. Maybe the kidnapper worked in all of them. They need to check for coal shoots.
Robert shows up with a big red file folder of names of people who worked on their renovation. Looks like the DA’s got a long night ahead of them. Talbot leaves.
Robert says he’ll make some coffee, and starts to leave. Mick puts a hand on his shoulder to stop him. “Hey, it’s after three. Why don’t you try and get some sleep?”
“Easier said then done.” Robert walks off bleary-eyed and Mick slips a piece of the man’s hair into an evidence bag.
“Robert’s DNA. One sample down, one to go.” Mick tells Beth she should try and get some sleep too, but she says it’s hard to sleep knowing Jacob’s out there with this nut.
“We’ll get him back.” Mick assures. “We have to.”
Beth tells him that, “Ben’s got a good team.”
Mick lets out a quick laugh. “Ben?” He turns to Beth and teases, “Should I be jealous?”
“Of course,” she answers. “Even if I have no romantic interest in him your jealousy makes me feel desirable.” She leaves him grinning.
~*~*~
Back at his apartment Mick realizes that he might not be able to time-travel, but every soldier had to fit his life into a box. “This I kept.”
~*~*~
Meanwhile, Beth’s having lunch with Talbot, who tells him that the houses of the previous victims were being renovated and had recently opened odd entrances to them. He asks Beth if she’s ever thought of becoming a civilian investigator.
She’s answers that she’s done some investigating for Buzz Wire, but she’s no cop. He tells her she wouldn’t have to be, but she would have to work for him.
Beth looks up. “Is that a job offer?”
“Yeah. It is.”
~*~*~
Mick opens up his WWII life box and finds his old razor. He thought his human past was long dead. “But now I find out it might be alive and well living in a house on West Adams.” Only his human DNA will tell. Mick bags the razor.
Suddenly Josef shows up, going through Mick’s nice army things. He’s impressed, “What did you mug an army guy?”
Mick doesn’t seem surprised to hear his best friend appearing behind him. He asks Josef to what does he owe this pleasure, and Josef tells him he left his cell phone there yesterday.
“400 years without one, and now I can’t go a day wi—” Suddenly Josef spots the name on the box. “So GI Mick. Why the trip down memory lane?”
Mick sighs and without looking at him, replies “I need DNA to confirm I fathered a child with my best friend’s wife after the war.”
“Wow never a dull moment huh? Well I’ll give you that.” Josef jokes.
Mick turns around. “Come on, give me your best shot, I know you’re dying to.”
“You want the truth?” Josef steps up, and in a rare moment of non-teasing admits, “I’m jealous. You see I’ve sired plenty of vamps in my day but uh, no rugrats. Not that I know of. Guess they’d all be dust by now so it’s kind of a moot point…” He smirks and Mick can’t help but laugh. “But…anyway, you know, it’s one of my only regrets…And I don’t believe in regrets.”
Mick tells his friend that, “That boy that was kidnapped? He might be my grandson.”
“I hope you get the kid back,” Josef says. “The Last contribution to the human gene pool.”
“Yeah…I guess it is.”
“Unless you and Beth, uh, rewrite the rules of vampire love—” Josef heads for the door “—and figure out how to procreate—Hi Beth.” Beth is standing in the doorway. Josef turns to whisper to Mick, “Beth’s here,” before leaving. (Haha! Oh man, that’s great.)
Mick and Beth both chose not to talk about what just happened, and he asks her what she figured out about the case. She thinks the kidnapper saw blueprints of both houses before he took the kids. He would have had to sign in to check them out from the county assessor’s office though.
Mick tells her he’ll drop her off and she notices the razor in the evidence bag in his hand. “Oh you found it?” Yep. Pre-vamp DNA. She says they should take it to bio-analysis. “Okay.”
They head out.
~*~*~
Mick and Beth pull up to the hall of records as she tells him that the lab promised to rush his DNA results. They should know by tomorrow if Robert is Mick’s son.
Mick answers, “So about what Josef said…”
“What that we can’t have a baby?”
Mick looks at her. “You want to have my baby?”
“What do you think of Elliot for a boy?” she asks without skipping a beat. Mick just stares at her and she adds, “I’m kidding relax.” Sure children are a part of normal human relationships…
Mick points out, “our relationship being neither normal nor human.”
They both smile, then Mick sobers and adds, “But Josef was right, vampires can’t have kids so…I mean if it’s a deal-breaker—”
“Whoa! I think we’re getting ahead of ourselves,” Beth interrupts. “I mean we haven’t even slept with each other yet, you may not be any good.”
Mick smirks at her sideways and Beth’s lips curl into a full on smile. “Look let’s just focus on getting Jacob back and we’ll worry about our children when the time comes.”
“Yeah.”
Beth gets out of the car. “Bye.” Mick watches her go silently.
~*~*~
Mick goes back to Robert’s house to ask him if he can try to remember names, faces, anyone who was off-kilter at all. Robert’s starting to break. Crying, he insists that he can’t remember, he already told the police everything he knew.
Feeling sorry for the guy, Mick sits down next to him. “Hey, hey, hey, it’s okay. Let’s just take a breath, okay?”
Robert nods and tells Mick that Jacob was a miracle just like he was. His father was partially paralyzed after coming back from the war. They didn’t think he could have kids, yet 7 months later here came Robert. He was the biggest premature baby the doctor had ever seen.
This hits Mick hard and as he watches Robert cry, he thinks, “He was big because he wasn’t premature. He was mine.”
Mick starts to say, “Robert I—” He stops, thinking, “How do you tell a man twice your age that you’re his father?...You don’t.” Out loud, Mick tells Robert, “I’m gonna get Jacob back.”
The man thanks him. He just never thought he’d had a son you know? Mick knows.
Okay so the work man. Were any of them especially interested in Jacob? Suddenly Robert remembers there was this one guy who liked to work at night…Kevin? Ken?
Mick checks the files. It’s Ken. He rushes out.
~*~*~
Beth’s going over the ground plans of the houses when Mick gets a call. Ken? Yeah, and he knows that he’s talking to Mick St. John. “The PI who drives the old Mercedes.”
“You’ve been watching me?”
“It’s what I do.”
Mick asks about Jacob and Ken tells him he’s fine. When Mick suggests they talk about this in person, Ken just answers, “How about I talk to your blonde friend instead? She’s lonely all by herself among all the files and bookshelves…I always did like the smart girls.”
Ken hangs up and heads inside.
Inside, Beth’s phone starts to ring but it’s on silent. She doesn’t see it.
The lights start to go off and she calls out that she’s still in here. “Can you turn the lights back on please?...Hello?” She goes to get her flashlight, tries the lights again, and realizes something is not right here.
She keeps calling out “hello?” and suddenly her flashlight catches sight of Ken staring at her through an open bookshelf. Run Beth! Run!
Beth takes off, throws open the door and screams.
“Are you okay?” Mick asks as she runs into him.
She tells him about the guy inside and he tells her that it’s Ken’s kidnapper. “Stay here.” Mick rushes inside.
~*~*~
“Okay I got it, thank you.” Beth hands up her phone and jumps as the door flies open again. It’s Mick telling her that Ken’s long gone.
Beth: If you keep sneaking up on me like that I am going to mace you one of these days.
Mick: It’s only a matter of time, what’s that?
Beth pulls out the blue print. She’s found the address where it’s most likely that Ken is hiding Ben. Talbot’s trying to get a warrant as they speak.
Mick flips through the blue prints. The place is right under the freeway. And there’s a basement.
“Let’s go.” Mick heads for the door and Beth rushes after him, telling him that she thinks it would be better if they waited for the warrant. Mick can’t believe what she just said. “You want to play it by the book while this guy could be moving Jacob or worse?”
Beth just doesn’t want Mick to spook Ken as he might do something desperate. Mick assures her he knows what he’s doing.
~*~*~
Mick pulls up to the dlapitated yard and walks through the broken down fence. The door to the house opens and Mick hides in the shadows of a broken down car. He watches Ken go to the next yard and into a basement that was left behind. “For monsters to hide in.”
Mick goes into the basement, calling out to Ken that if he gave himself up now he might have a chance of walking out of here alive. The lights go out. Ken likes the dark…but then again so does Mick.
Mick switches into vampire mod and easily navigates the basement tunnel with his vampire night vision.
~*~*~
The LAPD break down the door of the house and find nothing. Talbot and the Detective look at Beth. Didn’t Mick tell them that Ken was here? Talbot says there’s no sign of either of them, but Beth saw Mick’s car outside. He has to be here somewhere.
~*~*~
Mick tells Ken how he feels, always on the outside, always alone. Ken says that’s exactly why he had to take Jacob. To make him realize his fears.
Furious Mick growls, “You think kidnapping him is therapy?”
Ken says, “Once Jacob gets over his fear he’s free to go.”
As Mick gets closer to finding him he argues, “How can he get over his fear, when he’s cold and alone?”
“Life’s cold Mick,” Ken calls out. “It’s a harsh lesson we’ve all gotta learn. Actually you’re pretty close.”
“Closer than you think.” Mick flies around the corner, slamming Ken into the wall. “Where’s Jacob?”
Ken grabs his gun and fires again and again. When Mick simply stands there, Ken shouts, “Why aren’t you scared!” When it’s clear he’s not going to be able to shoot Mick, he tells him that now Jacob’s going to die “alone and scared because of you.”
“NO!”
Ken shoots himself in the head before Mick can stop him.
~*~*~
Beth and the police rush outside. They heard the gunshots, but where did they come from?
~*~*~
Mick continues to search the tunnels calling out for Jacob. “Jacob if you can here me, you gotta make a noise buddy!”
Nothing.
Mick continues to look. “Jacob? You gotta give me a sign! Come on kid…” Suddenly Mick stops.
He puts his ear to the brick wall and closes his eyes. He can hear a heartbeat.
“Jacob…”
Mick calls out and when the boy doesn’t answer, he starts ripping down the newly laid brick wall with his bare hands.
“Jacob? Jacob…” Mick finds the little boy unconscious behind the wall. He pulls him out and lays him carefully on the floor. “Come on Jacob, breathe…Breathe…”
Suddenly the boy gasps. Relieved, Mick picks him up. “Okay.”
Outside, everyone has their weapons trained at the basement stairs. Mick calls up that it’s him and he as Jacob and the detective clears him. Mick exits with Jacob in his arms, telling them that Ken killed himself.
Mick lays Jacob on a stretcher, telling him he’s going to be okay. The paramedics check him. Yes he is.
~*~*~
Mick and Beth sit outside Robert and Jacob’s house. Beth pulls out an envelope. “The lab sent it over this morning.”
Mick takes the envelope...opens it…and nods. When Beth looks at him expectantly, he answers her unasked question. “Robert’s not my son.”
Mick smiles. “Good for you Ray.”
“I’m sorry…”
“No,” Mick assures, tears in his eyes. “No this is the way it’s supposed to be. I just didn’t realize how much I wanted a family until I almost had one, you know?”
Beth nods, then brushes a hand through his hair. “Hey, family’s not just about DNA.” Mick smiles at her.
~*~*~
Inside the house, Robert pulls Jacob into a hug.
“It’s Mick!” Jacob exlaims, and his dad tells him he knows, he just saw them pull up.
“No,” Jacob corrects, pointing to the wall. “In the picture!”
Robert puts his son down and takes the WWII picture off the wall.
He runs outside just as Mick drives away.
The photo falls from Robert’s hand onto the grass. On the back is the signatures of everyone in the photo…Mick St. John is there.
~*~*~*~*~*~*~
I know I don't have to say it, but well, I do. Great episode, as always! And I have to admit that I was relieved that Robert wasn't Mick's son. He was obviously feeling horribly guilty even though he shouldn't have been. I mean, he thought Ray was dead and he did promise to take care of Lila! It was sad though, I could see Mick as a great dad.
But like Josef said, there's always hope...
Only 1 more episode of the season left! Ahhh!
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