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ACTUAL SCENE


[ACADEMY PLAYING FIELD: Boys are playing kickball together while Ned is off to the distance, bouncing an orange ball off a tree]

Narrator: At this very moment, at town of Northrush, young Ned was lonely. Unable to make friends at the Longborough School for Boys, he often found himself playing alone, with nothing but memories of happier times to keep his company. What young Ned did not realize was that beyond the meadow under the same orange sky, someone he loved was remembering him. [Ned misses the tree and it bounces away deeper into a field. NED’S OLD HOME: There is a "For Sale" sign out front and the house appears abandoned … except for Digby lying patiently on the front porch]


Narrator: His dog, Digby. In fact, three days prior, Digby had made a decision: wearied by his own loneliness back in Coeur d’Coeurs and sensing his master’s sorrow, Digby set out on a mission. [Digby perks up, runs off the porch and down the street] Uncertain as to his exact destination, he ventured into the great unknown and guided only by the compass of his heart. [Digby trots through the town when he looks up and sees an apartment on fire. He goes to a fire box and pulls the lever down; a fire truck soon arrives and he continues his journey]

Despite numerous distractions, Digby was determined to find young Ned – the boy who had given him a second chance at life. And who was his best friend. [ACADEMY FIELD: Ned looks around for his orange ball and sees Digby running toward him, holding the ball in his mouth; Ned grins and runs toward him] Upon doing so, Digby proved that love can overcome any obstacle.


The reunion was bittersweet, however, as they instantly remembered the restrictions of their friendship: they could not touch or Digby would die. [both stop and stare happily at one another; Digby drops the ball in for his master. Ned picks up a stick and pets Digby with it, then throws the ball in the air] Still, it was enough. That day, Digby vowed he would never allow himself to separated from his master. [THE PIE HOLE: Digby catches an orange ball in his mouth, while his master looks off into the kitchen and smiles upon seeing Chuck]

Narrator: The Pie Maker did not wish to be separated from Chuck, who, in turn, did not wish to separated from her aunts, Lily and Vivian, who continued to be challenged by social phobias. Unbeknownst to The Pie Maker, Chuck secretly baked homeopathic mood-enhancers into pies for her aunts, hoping that a slice a day would herbally lift their spirits. [Chuck places the pie into the oven just as Ned comes in; there are welts on his face and he tries to cover them with a hand]

Ned: Oh, you’re up early.

Chuck: Oh, I couldn’t sleep.

Ned: Lumpy mattress?

Chuck: Lumpy dreams. Which are a lot more vivid now than before I died, isn’t that interesting? Just one of those little things – [notices his face] What are those?

Ned: Oh, I, uh, got bit.

Chuck: Those are bee stings! How did you get stung by so many bees, and what happened to the bees that stung you? That’s a suicide attack.

Ned: Not in this case: they sort of stung me, died, then they flew away again, and some other bees died.

Chuck: [dips her finger in a honey jar and tastes it] Do you think their honey tastes different ‘cause they died? Wouldn’t that be interesting? Just one of those little things …

~*~*~*~*~*~*~

MEGGIE’S SCENE


[FISH BOWL: CHEESE PUFFS are DRIVING SMURFS together while Ned is off to the distance, JUMPING a BLUSHING TUGBOAT off a VIOLIN]

Narrator: At this very moment, at the town of FISH STICK MOPS, young Ned was MAGNIFICENT. Unable to make BUTLERS at the Longborough School for HOT DOGS, he often found himself KISSING alone, with nothing but memories of JUICY times to keep his company. What young Ned did not realize was that beyond the LAKE under the same JOYOUS SLUG, someone he loved was DANCING him.

[Ned SNORKLES the MEATLOAF and it FORBIDS away deeper into a TREE STUMP. NED’S DEPRESSED MARCHING BAND: There is a " QUAINT HAYSTACK" sign out front and the SLIP-N-SLIDE appears COLOSSAL… except for Digby MOWING patiently on the WIG]

Narrator: His dog, Digby. In fact, three days prior, Digby had made a decision: SILLY by his own loneliness back in Coeur d’Coeurs and sensing his master’s THUNDER, Digby set out on a mission. [Digby perks up, SINGS off the VOLCANO and down the street] Uncertain as to his exact destination, he MOOED into the great unknown and guided only by the DIRT of his ANTIQUE PLUNGER. [Digby trots through the GOLF CART when he looks up and sees a MOOSE on fire. He goes to a MYSTERIOUS PIZZA and pulls the lever down; a fire truck soon GO GO GADGET LEGS and he continues his journey]

Despite numerous KIDNEYS, Digby was determined to find young Ned – the boy who had given him a second chance at LONE GUNMEN. And who was his best friend. [GROCERY STORE PARKING LOT: Ned looks around for his HANDSOME ’67 IMPALA and sees Digby WINKING toward him, holding the WIG in his mouth; Ned BARN DANCES and KNITS toward him] Upon doing so, Digby proved that love can overcome any CASTLE.

The reunion was COURAGEOUS, however, as they instantly remembered the NOSES of their friendship: they could not HERD CATTLE or Digby would WASH. [both SERENADE and stare EXUBERANTLY at one another; Digby TANGOS the HULA SKIRT in for his master. Ned picks up a PRINTER and COPIES Digby with it, then ACTS the BELT BUCKLE in the air] Still, it was enough. That day, Digby vowed he would never allow himself to be SQUATTED from his master. [GARDEN: Digby STORES a FLUFFY HOBBIT in his CHIN, while his master THROWS SNOWBALLS off into the GYM and smiles upon seeing Chuck]

Narrator: The Pie Maker did not wish to be CROOKED from Chuck, who, in turn, did not wish to FANTASTIC from her SHEEP, Lily and Vivian, who continued to be challenged by LIGHTNING phobias. Unbeknownst to The Pie Maker, Chuck secretly SPEED SKATED homeopathic WEDDING CAKE-enhancers into THE BEATLES for her aunts, hoping that a slice a day would GLOOPILY lift their MICROPHONES. [Chuck BITES the MASK into the oven just as Ned comes in; there are SANDWHICHES on his face and he tries to cover them with a FEATHER]

Ned: Oh, you’re FORLORN.

Chuck: Oh, I couldn’t GET ABDUCTED.

Ned: HYPNOTIC SPAGHETTI?

Chuck: HYPNOTIC SYNDICATES. Which are a lot more vivid now than before I BODY SLAMMED, isn’t that DISTINCT? Just one of those ITCHY things – [notices his face] What are those?

Ned: Oh, I, uh, got BUBBLED.

Chuck: Those are SHOE stings! How did you get stung by so many SHOES, and what happened to the SHOES that stung you? That’s a suicide attack.

Ned: Not in this case: they sort of stung me, died, then they SHRANK away again, and some other LAMPS SAWED.

Chuck: [dips her LEG in a MUSTARD jar and tastes it] Do you think their WATER SLIDE CRAWLS different ‘cause they SHRANK? Wouldn’t that be MESMERIZING? Just one of those CHARMING things …

~*~*~*~*~*~*~

PAULA'S SCENE


[MORGUE: FLOWERS are SNIFFING NAILS together while Ned is off to the distance, HUGGING a STINKY GRASS off a FLAMINGO]

Narrator: At this very moment, at town of BANANA JUICE EAR WAX, young Ned was SHINY. Unable to make SOCKS at the Longborough School for MATCHES, he often found himself JUMPING alone, with nothing but memories of WET times to keep his company. What young Ned did not realize was that beyond the BUCKET under the same COLD CHEST HAIR, someone he loved was DANCING him.

[Ned ROLLS the HAMMER and it STROKES away deeper into a CUCUMBER. NED’S LONG UNDERWEAR: There is a "DIRTY BATHROBE" sign out front and the CARPET appears STICKY … except for Digby PUNCHING patiently on the CANE]

Narrator: His dog, Digby. In fact, three days prior, Digby had made a decision: LOVELY by his own loneliness back in Coeur d’Coeurs and sensing his master’s FAT, Digby set out on a mission. [Digby perks up, SINGS off the HORSE and down the street] Uncertain as to his exact destination, he SLEPT into the great unknown, guided only by the PAINT of his SALAD. [Digby trots through the POTATO when he looks up and sees a TIE on fire. He goes to a HUNGRY BUTTERFLY and pulls the lever down; a fire truck soon DRINKS and he continues his journey]

Despite numerous CIGARETTES, Digby was determined to find young Ned – the boy who had given him a second chance at WAVES. And who was his best friend. [CEMETARY: Ned looks around for his HAPPY BUTTON and sees Digby GIGGLING toward him, holding the HAMMER in his mouth; Ned LAUGHS and YELLS toward him] Upon doing so, Digby proved that love can overcome any ONION RING.

The reunion was HEAVY, however, as they instantly remembered the VIOLINS of their friendship: they could not SHAKE or Digby would COOK. [both BOW and stare LOUDLY at one another; Digby BREATHES the PIANO in for his master. Ned picks up a UNICORN and SMILES Digby with it, then KICKS the SHOE in the air] Still, it was enough. That day, Digby vowed he would never allow himself to be SMELLED from his master. [BUS STOP: Digby HANGS a KINKY FLAT in his KNEE, while his master GAGS off into the PUBLIC TOILET and smiles upon seeing Chuck]

Narrator: The Pie Maker did not wish to be PLAYED from Chuck, who, in turn, did not wish to PEED from her EYES, Lily and Vivian, who continued to be challenged by FRYING PAN phobias. Unbeknownst to The Pie Maker, Chuck secretly SQUEEZED homeopathic CHICKEN-enhancers into SWORDS for her aunts, hoping that a slice a day would CLEARLY lift their TAMPONS. [Chuck CRIES the NAIL POLISH into the oven just as Ned comes in; there are TEETH on his face and he tries to cover them with a BLANKET]

Ned: Oh, you’re COLD.

Chuck: Oh, I couldn’t RELAX.

Ned: LAZY ALIEN?

Chuck: LAZY UFOS. Which are a lot more vivid now than before I SAT, isn’t that HARD? Just one of those SPOOKY things – [notices his face] What are those?

Ned: Oh, I, uh, got COUGHED.

Chuck: Those are JACKET stings! How did you get stung by so many JACKETS, and what happened to the JACKETS that stung you? That’s a suicide attack.

Ned: Not in this case: they sort of stung me, died, then they WALKED away again, and some other TOES BLEW.

Chuck: [dips her EAR in a WATER jar and tastes it] Do you think their BALL CATCHES different ‘cause they WALKED? Wouldn’t that be KIND? Just one of those FLUFFY things …

*Transcript excerpt thanks to the Pushing Daisies Wiki
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This week's fill-in-the-blank scene comes from the Lost episode, "The Lie". And Hurley's recap of the last four-ish years as a Mad Lib is awesome.



ACTUAL SCENE

Taking his face in her hand, she makes him look her in the eye. He doesn’t want to. “Tell your mother the truth.”

Hurley looks his mother in the eye and can’t lie to her. Finally he breaks. “We lied, Ma,” he answers, voice cracking.

“What do you mean you lied?”

“The Oceanic Six, we lied about the crash.”

Confused, she asks him, “And what did happen?”

Hurley stares at his bottle for a long time, trying to figure out how to start, then finally says, “Okay…See, we did crash. But it was on this crazy island. And we waited for rescue, but there wasn’t a rescue. And then there were other people on The Island. We called them “The Others”. And they started attacking us. And we found some hatches and there was a button that you had to push every 108 minutes or—“ He hesitates. “Well I was never really clear on that. But, The Others didn’t have anything to do with the Hatches, that was the Dharma Initiative. They’re all dead, The Others killed them, and now they’re trying to kill us. And then we teamed up with The Others because some worse people were coming on a freighter—Desmond’s girlfriend’s father sent them to kill us—so we stole their helicopter and flew it to their freighter, but it blew up. And we couldn’t go back to The Island because it disappeared. So then we crashed in the ocean, and we floated there for a while until a boat came and picked us up. And by then there were six of us.” He glances at his mom. “That part was true.”

Hurley hesitates a long moment, then close to tears, adds, “But the rest of the people? Who were on the plane?...They’re still on that island.”

Watching how much this is affecting her son, Hurley’s mom places a comforting hand on his. “I believe you.”

Hurley wipes away his tears and looks at her.

“I don’t understand you,” she admits. “But I believe you.”

“A lot of people died, Ma. And now this bad stuff is happening because—“ his voice breaks. “Well—” He shakes his head, clearly very troubled. “We shouldn’t have lied.”

PAULA'S SCENE

Taking Hurley’s FEAR in her hand, his mom makes him look her in the KNEE. He doesn’t want to. “Tell your mother the truth.”

Hurley LICKS his mother in the eye and can’t lie to her. Finally he breaks. “We KISSED, Ma,” he answers, voice cracking.

“What do you mean you KISSED?”

“The Oceanic 42, we KISSED about the FISH STICK.”

Confused, she asks him, “And what did happen?”

Hurley stares at his VENT for a long time, trying to figure out how to start, then finally says, “Okay…See, we did HUG. But it was on this SCARY DIAPER. And we waited for AN OCEAN, but there wasn’t AN OCEAN. And then there were other BANANAS on the DIAPER. We called them “The GORILLAS”. And they started DANCING us. And we found some CANDLES and there was a CARPET that you had to SCRATCH every 108 minutes or—“ He hesitates. “Well I was never really clear on that. But, MOPS didn’t have anything to do with the SPIDERS, that was the Dharma Initiative. They’re all SPOOKY, The Others LAUGHED them, and now they’re trying to CRY us. And then we teamed up with The GUNS because some worse ALIENS were coming on a BUTTON—Desmond’s girlfriend’s father sent them to LIE to us—so we stole their BATHTUB and SMELLED it to their STAR, but it blew up. And we couldn’t go back to The HEAVEN because it disappeared. So then we BIT in the ocean, and we floated there for a while until a HOLE came and picked us up. And by then there were 42 of us.” He STICKS at his mom. “That part was HAPPY.”

Hurley hesitates a long moment, then close to tears, adds, “But the rest of the HEARTS? Who were on the HAMMER?…They’re still on that DIAPER.”

Watching how much this is affecting her son, Hurley’s mom places a comforting CHAIR on his. “I believe you.”

Hurley KICKS away his MOUNTAINS and BREATHES at her.

“I don’t understand you,” she admits. “But I believe you.”

“A lot of people LEAKED, Ma. And now this bad stuff is happening because—“ his voice breaks. “Well—” He HITS his MICROWAVE, clearly very CREEPY. “We shouldn’t have SUNG.”

MEGGIE'S SCENE

Taking Hurley’s FISH NET STOCKINGS in her hand, his mom makes him look her in the NOSE. He doesn’t want to. “Tell your mother the truth.”

Hurley JUMPS his mother in the eye and can’t lie to her. Finally he breaks. “We DANCED, Ma,” he answers, voice cracking.

“What do you mean you DANCED?”

“The Oceanic BAJILLION, we DANCED about the POTATO.”

Confused, she asks him, “And what did happen?”

Hurley stares at his UNICORN for a long time, trying to figure out how to start, then finally says, “Okay…See, we did YODEL. But it was on this WICKED BON BON. And we waited for A MAYAN TEMPLE, but there wasn’t a MAYAN TEMPLE. And then there were other HULA HOOPS on THE POTATO. We called them “The CHOPSTICKS”. And they started RECITING POETRY TO us. And we found some TRIPODS and there was a TOE that you had to BITE every 108 minutes or—“ He hesitates. “Well I was never really clear on that. But, HOBBITS didn’t have anything to do with the NOODLES, that was the Dharma Initiative. They’re all FAT, The Others KARATE CHOPPED them, and now they’re trying to BUY us. And then we teamed up with The SWORDS because some worse CHEESE PUFFS were coming on a GLUE STICK—Desmond’s girlfriend’s father sent them to DRIVE us—so we stole their BANANA and DROWNED it to their ALIEN, but it blew up. And we couldn’t go back to The YOGURT because it disappeared. So then we SLAYED VAMPIRES in the ocean, and we floated there for a while until an EYEBROW came and picked us up. And by then there were A BAJILLION of us.” He KISSES at his mom. “That part was BEWITCHING.”

Hurley hesitates a long moment, then close to tears, adds, “But the rest of the PICKLES? Who were on the TREE STUMP?...They’re still on that BON BON.”

Watching how much this is affecting her son, Hurley’s mom places a comforting SWIMMING SUIT on his. “I believe you.”

Hurley ROBS away his TANKS and RUNS at her.

“I don’t understand you,” she admits. “But I believe you.”

“A lot of people COOKED, Ma. And now this bad stuff is happening because—“ his voice breaks. “Well—” He PLAYS VIOLIN AT his BELT BUCKLE, clearly very ANCIENT. “We shouldn’t have BURST.”

XXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXX

LOL! Funny how we both used bananas and aliens...hmmm... "Taking Hurley’s FEAR in her hand, his mom makes him look her in the KNEE. " Awwww The Oceanic BAJILLION? Wow, that's a lot of people to keep silent about the truth, no wonder they're having problems! LoL I love how Hurley's real explanation sounds almost as crazy as these Mad Libs! haha As usual, thanks for playing Paula!
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ACTUAL SCENE

The Brother’s Grimm, on in this case Winchester investigate all your favorite bedtime stories and fairy tales in all their cannibalistic, slasher grandma goodness! That’s right, Sam and Dean show up in Maple Springs, NY to find an eerie similarity between the death of two brothers, and attack of another, and the story of the Three Little Pigs.

Posing as detectives, the brothers interview the last brother—where Dean tells him Sam’s the sketch artist—to find out it wasn’t a werewolf, just a normal guy. Dean starts to leave, and the guy asks Sam if he can see his sketch. Sam tells him it’s a work in progress, and shows him…a hilariously cute drawing complete with Wile E. Coyote tattoo!

Up next? Hansel and Gretel. Or in this case, a married couple who gets lost in the woods and winds up at a lovely little cottage with a charming old lady who invites them inside for pie…and then proceeds to drug them and carve up the husband with a rather large butcher’s knife. The woman gets away by knocking the old lady over, and catches a glimpse of a very Snow White-ish little girl standing outside. Once again, my theory that old ladies and little girls are scary pans out.

This new murder has Sam thinking…

Sam: I’ve been thinking about fairy tales.

Dean: That’s…nice. You think about fairy tales often, or…?

Sam gives his brother the typical Look, then tells him, no about the correlation between the murders and fairy tales, The Three Little Pigs, Hansel and Gretel…Dean starts to see it. The toad that they avoided hitting in while driving into town appears again and Dean tells Sam that whatever happens, he refuses to kiss a toad.

When the “Gretel” of the husband and wife team tells Sam and Dean that she also remembers a little girl with black hair and a white dress standing outside watching as the old lady killed her husband, Sam thinks it might be some kind of spirit hypnosis, maybe a trance. Dean’s response? “Trances I get, but Fairy Tale trances. That’s just bizarre.”

~*~*~

PAULA'S SCENE

The Brother’s ROPE, on in this case Winchester investigate all your favorite HORNY CARROTS and BANANA tales in all their SLIMY, slasher DIAPER goodness! That’s right, Sam and Dean show up in BARN to find an DISGUSTING similarity between the death of two GORILLAS, and attack of another, and the story of the Three SWEET TOOTHBRUSHES.

Posing as SHOES, the brothers interview the last SUNGLASSES—where Dean tells him Sam’s the SHARP REMOTE CONTROL—to find out it wasn’t a PLANET, just a normal SPACE SHIP. Dean starts to leave, and the guy asks Sam if he can see his ALIEN BOUNTY HUNTER. Sam tells him it’s a work in progress, and shows him…a HAPPILY STITNKY LEASH complete with CAR tattoo!

Up next? MULDER AND SCULLY. Or in this case, a SEXY couple who gets lost in the FEET and winds up at a HOT little STICK with a BEAUTIFUL old SALAD BAR who invites them inside for EIFFEL TOWER…and then proceeds to JUMP them and KISS up the husband with a rather large BRIDGE. The woman gets away by LICKING the old SALAD BAR over, and catches a glimpse of a very KINKY PURSE-ish little CELL PHONE BOWING outside. Once again, my theory that old SALAD BARS and KINKY PURSES are SOFT pans out.

This new murder has Sam CRAWLING…

Sam: I’ve been SWIMMING about SOCKS.

Dean: That’s…PAINFUL. You SWIM about SOCKS often, or…?

Sam SCREAMS his brother the typical TOE NAIL, then tells him, no about the correlation between the CHRISTMAS TREES and SOCKS, The Three SWEET TOOTHBRUSHES, MULDER AND SCULLY…Dean starts to HUG it. The CHICKEN DANCE that they avoided LYING in while PEEING into town appears again and Dean tells Sam that whatever happens, he refuses to SNIFF a REFRIGERATOR.

When the “ELEVATOR” of the MULDER AND SCULLY team tells Sam and Dean that she also remembers a BOLD COOK BOOK with QUIET EAR and a SPOOKY FBI BADGE standing outside KICKING as the SALAD BAR GLARED AT her husband, Sam thinks it might be some kind of KEYBOARD hypnosis, maybe a SWIMMING SUIT. Dean’s response? “SWIMMING SUITS I get, but SOCK SWIMMING SUITS? That’s just CRAZY.”

~*~*~

MEGGIE'S SCENE

The Brother’s AB ROLLER, on in this case Winchester investigate all your favorite AGGRESSIVE FURBIES and TOOTHBRUSH tales in all their FANCY, slasher TOP HAT goodness! That’s right, Sam and Dean show up in SCHOOL BUS to find a COMBATIVE similarity between the death of two CHICKENS, and attack of another, and the story of the Three THUNDEROUS CIGARETTE SMOKING MEN.

Posing as PIANOS, the brothers interview the last LIGHTHOUSE —where Dean tells him Sam’s the EXUBERANT WIG —to find out it wasn’t a FOG, just a normal GROBANITE. Dean starts to leave, and the guy asks Sam if he can see his GOLD MEDAL. Sam tells him it’s a work in progress, and shows him…a DASHINGLY DIRTY WALRUS complete with STAPLER tattoo!

Up next? MOOSE AND SQUIRREL. Or in this case, a MASSIVE couple who gets lost in the FEET and winds up at a OBEDIENT little ETCH-A-SKETCH with a WITTY old PIRATE who invites them inside for WWII…and then proceeds to BURN them and CREEP up the husband with a rather large DISHWASHER. The woman gets away by EATING the old PIRATE over, and catches a glimpse of a very a DEPRESSED WEATHER REPORTER-ish little PIXIE STICK EXPLODING outside. Once again, my theory that old PIRATES and DEPRESSED WEATHER REPORTERS are WIDE-EYED pans out.

This new murder has Sam SPITTING…

Sam: I’ve been UNDRESSING about PANTS.

Dean: That’s… CONDEMNED. You UNDRESS about PANTS often, or…?

Sam SLAPS his brother the typical TATTOO, then tells him, no about the correlation between the CONDIMENTS and PANTS, The Three THUNDEROUS CIGARETTE SMOKING MEN, MOOSE AND SQUIRREL …Dean starts to LEAP it. The HEART that they avoided TANGOING in while STINKING into town appears again and Dean tells Sam that whatever happens, he refuses to DIVE a FAKE WEDDING RING.

When the “CAROUSEL HORSE” of the MOOSE AND SQUIRREL team tells Sam and Dean that she also remembers an ANXIOUS DIAPER with BLOODY LIVERS and a SPARKLING SEWAGE standing outside DREAMING as the PIRATE KICKED her husband, Sam thinks it might be some kind of POPSICLE hypnosis, maybe a BAGPIPE. Dean’s response? “BAGPIPES I get, but PANTS BAGPIPES? That’s just GROTESQUE.”
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ACTUAL SCENE

The Lone Gunmen are huddled in the VW Bus in the middle of the snowy forest, trying to catch a poacher. Frohike gets an idea.

FROHIKE: Hey, I think I know something that'd get that joker out of his cabin...

(Cut to large knife being sharpened on a pedal-driven grinding machine. It's STUKAS. Suddenly there are "roar" sounds. STUKAS looks around. There's something in the bushes. It looks vaguely bear-ish. STUKAS takes down a rifle, licking his lips. The roars continue and we see a bearskin, under which is LANGLY.)

LANGLY: Oh, gall bladder! Oh, you know you want it! (into radio) Byers. What's happening now?

(The VW monitors show STUKAS moving away from the shack.)

BYERS: It's working, Langly. Get out of there.

LANGLY: See you later, sucker!

(LANGLY runs off.)

BYERS: Frohike, you're up.

(FROHIKE, in the woods, runs to Stukas' shack.)

(LANGLY, still covered in the bearskin, trips and falls. He tries to sit up and sees what's trapped him.)

LANGLY: Oh, crap!

(STUKAS is tracking through the woods. The letter is in his back pocket.)

~*~*~

(Inside Stukas' shack. Stacks of canned food.)

BYERS: (on radio) Frohike! Progress?

FROHIKE: I'm in.

(FROHIKE looks around then sees mail in a waste basket, including the courier envelope.)

BYERS: (on radio) Frohike? Any luck?

(The envelope is empty.)

FROHIKE: It's here somewhere. It's gotta be.

~*~*~
(In the woods, STUKAS is looking around then spots the "bear" on top of the trap. He aims his gun, then gets suspicious. He lowers the gun and edges over to the "bear". He prods it then pulls back the bearskin. The trap is there, so also are Langly's trousers. He grabs the trousers, ripping them free, then sniffs them and goes off in search of his quarry. LANGLY has been hiding behind a tree and moves away just as STUKAS finds the hiding places. As STUKAS edges forward, LANGLY appears briefly around the other side of the tree, and we see that under his trousers Langly is . . . . wearing orange tights.)

(Cut to the shack.)

FROHIKE: (into radio) I take it back. It's not here.

BYERS: (on radio) Keep looking. It has to be.

FROHIKE: I'm telling you, Byers. I've combed this place upside down.

(FROHIKE steps into a circle of wire which tightens around his ankle and hauls him up, dangling him from the ceiling.)

BYERS: Frohike! Frohike! Langly!

(Cut to STUKAS re-setting the bear trap. LANGLY is watching from behind the tree and sees the letter in STUKAS' back pocket. He reaches out for it.)

(Cut to shack. FROHIKE is swinging from the ceiling.)

BYERS: (on radio) Frohike. Get out of there.

FROHIKE: I got a little bit of a situation here, Byers.

(Cut to VW, BYERS is watching the monitors.)

BYERS: (into radio) Yes you do. He's coming back.

(Cut to shack. FROHIKE can see STUKAS through the window. FROHIKE tries desperately to swing his body up to the ceiling. STUKAS is slowly walking towards the door. FROHIKE makes another effort and disappears from view just as the door opens. STUKAS comes in, puts down his gun and peers through the curtains. The camera pans up and we see FROHIKE has managed to grab the antlers of a stuffed stag's head. STUKAS turns away from the window and reaches for the letter, realizes it's not there and leaves the shack. The stag's head no longer coping with FROHIKE'S weight, breaks and FROHIKE crashes for the floor.)
--Transcript thanks to TWIZTV.com

~*~*~

PAULA’S SCENE

The Lone Gunmen are SCRATCHING in the VW Bus in the middle of the STINKY ASH TRAY, trying to GAG a PANDA BEAR. Frohike gets an idea.

FROHIKE: Hey, I think I know something that'd DRIVE that POTATO out of his TOILET SEAT...

(Cut to large MASSGAGE being LAID on a VACUUM-driven grinding machine. It's A SNOWFLAKE. Suddenly there are "VROOM" sounds. THE SNOWFLAKE CLICKS around. There's something in the CANDIES. It looks vaguely BLADE-ish. THE SNOWFLAKE takes down a SHEEP, SLEEPING his lips. The VROOMS continue and we see AN APPLE JUICE, under which is LANGLY.)

LANGLY: Oh, GRAVE bladder! Oh, you know you want it! (into BLOOD) Byers. What's happening now?

(The VW monitors show THE SNOWFLAKE DRINKING away from the CANDLE.)

BYERS: It's working, Langly. JUMP out of there.

LANGLY: GROWL you later, sucker!

(LANGLY KISSES off.)

BYERS: Frohike, you're BEAUTIFUL.

(FROHIKE, in the ICE CREAM, LOVES to THE SNOW FLAKE’S GARLIC.)

(LANGLY, still covered in the APPLE JUICE, BREATHES and SWIMS. He tries to sit up and sees what's HUGGING him.)

LANGLY: Oh, crap!

(THE SNOWFLAKE is TAKING through the CANDLES. The TOILET PAPER is in his back pocket.)

~*~*~

(Inside THE SNOWFLAKE’S MOUSE. Stacks of FORKS.)

BYERS: (on radio) Frohike! Progress?

FROHIKE: I'm CRAZY.

(FROHIKE GIGGLES around then sees STAIRS in a NOISEY MT. EVEREST, including the SLIPPERY FLASHLIGHT.)

BYERS: (on BASEMENT) Frohike? Any MUFFIN?

(The SLIPPERY FLASHLIGHT is SWEET.)

FROHIKE: It's here somewhere. It's gotta be.

~*~*~

(In the woods, THE SNOWFLAKE is DANCING around then spots the "TURKEY" on top of the trap. He WATCHES his CLOCK, then gets suspicious. He lowers the CLOCK and RUNS over to the "TURKEY". He GRINS it then pulls back the FINGERNAILSKIN. The SNAIL is there, so also are Langly's DROPS. He grabs the DROPS, ripping them free, then sniffs them and SWINGS off in search of his DESERT. LANGLY has been EATING behind a BLIZZARD and PUNCHES away just as THE SNOWFLAKE finds the BATTERY. As THE SNOWFLAKE STARTS forward, LANGLY LEAKS briefly around the other side of the GAS, and we see that under his trousers Langly is . . . . wearing GLASSES.)

(Cut to the VODKA.)

FROHIKE: (into BUGS BUNNY) I take it back. It's not FURRY.

BYERS: (on HANDCUFFS) Keep THROWING. It has to be.

FROHIKE: I'm telling you, Byers. I've CRAWLED this PILLOW upside down.

(FROHIKE LAUGHS into a circle of PILLS which PINCH around his NOSE and hauls him up, dangling him from the SHOE.)

BYERS: Frohike! Frohike? Langly!

(Cut to THE SNOWFLAKE TYING the LOLLIPOP trap. LANGLY is BITING from behind the VALLEY and sees the MOSQUITO in THE SNOWFLAKE’S back pocket. He reaches out for it.)

(Cut to LOCKER ROOM. FROHIKE is CLOSING from the HAMMER.)

BYERS: (on radio) Frohike. HIDE out of there!

FROHIKE: I got a little bit of a situation here, Byers.

(Cut to VW, BYERS is WALKING the TAMPONS.)

BYERS: (into radio) Yes you do. He's DIVING back.

(Cut to MORGUE. FROHIKE can see THE SNOWFLAKE through the DIET COKE. FROHIKE tries desperately to BOW his body up to the COUCH. THE SNOWFLAKE is LOUDLY SCREAMING towards the SALAD. FROHIKE makes another effort and GIVES from view just as the ELF COOKS. THE SNOWFLAKE LEVITATES in, puts down his SAUSAGE and SUCKS through the SOCKS. The camera pans up and we see FROHIKE has managed to STROKE the CIGAR of a stuffed STICK. THE SNOWFLAKE turns away from the TAI FOOD and PLAYS for the TRAFFIC, realizes it's not there and leaves the MORGUE. The STICK head, no longer coping with FROHIKE'S CELLPHONE, SAVES and FROHIKE crashes for the LUBRICANT.)

~*~*~

Okay, it’s never good when there’s something “blade-ish” in your candies, and I love how Byers suddenly has to interrupt with “Frohike, you’re beautiful.” And that last paragraph? Wow, yeah I don’t even know what to say to that.

~*~*~

MEGGIE’S SCENE

The Lone Gunmen are BALLROOM DANCING in the VW Bus in the middle of the MUSHY GREEN BEAN CASSEROLE, trying to FLOP a PEG LEG. Frohike gets an idea.

FROHIKE: Hey, I think I know something that'd BITE that VAMPIRE out of his FISH...

(Cut to large UNICYCLE being WORSHIPED on a TOP HAT-driven grinding machine. It's A BEARD. Suddenly there are "SPLAT" sounds. THE BEARD ARMY CRAWLS around. There's something in the MEASLES. It looks vaguely DIAPER-ish. THE BEARD takes down a CARROT, CRYING his lips. The SPLATS continue and we see a BOBBLE-HEAD, under which is LANGLY.)

LANGLY: Oh, GUITAR bladder! Oh, you know you want it! (into ICEPICK) Byers. What's happening now?

(The VW monitors show THE BEARD EXPLODING away from the TELEPHONE POLE.)

BYERS: It's working, Langly. LEAP out of there.

LANGLY: TUMBLE you later, sucker!

(LANGLY PROOFREADS off.)

BYERS: Frohike, you're DEFIANT.

(FROHIKE, in the MUSHROOM, SHAVES to THE BEARD’S PYRAMID.)

(LANGLY, still covered in the BOBBLE-HEAD SKIN, SHRIVLES and SPEED SKATES. He tries to sit up and sees what's WAXING him.)

LANGLY: Oh, crap!

(THE BEARD is STINKING through the MARBLES. The SARCASTIC GREETING CARD is in his back pocket.)

~*~*~

(Inside THE BEARD’S SHIP WRECK. Stacks of MY LITTLE PONIES.)

BYERS: (on radio) Frohike! Progress?

FROHIKE: I'm ANCIENT.

(FROHIKE WRITHES around then sees TRAINS in a VIVACIOUS CORK, including the CREEPY TV COMMERCIAL.)

BYERS: (on SOAP) Frohike? Any CASH REGISTER?

(The CREEPY TV COMMERCIAL is HOT.)

FROHIKE: It's here somewhere. It's gotta be.

~*~*~

(In the woods, THE BEARD is SMASHING around then spots the "CORSET" on top of the trap. He RIDES his TURTLE, then gets suspicious. He lowers the TURTLE and SMITES over to the "CORSET". He HULA DANCES it then pulls back the KNIFESKIN. The BILLBOARD is there, so also are Langly's BOY BANDS. He grabs the BOY BANDS, ripping them free, then sniffs them and HYPNOTIZES off in search of his HAIR GEL. LANGLY has been SKIPPING behind a ROOSTER, and CLIMBS away just as THE BEARD finds the BED. As THE BEARD FOREGOES forward, LANGLY RECITES POETRY briefly around the other side of the MIRROR, and we see that under his trousers Langly is . . . . wearing CRACKERS.)

(Cut to the BOWLING BALL.)

FROHIKE: (into TACO STAND) I take it back. It's not WICKED.

BYERS: (on KNIGHT) Keep PUNCHING. It has to be.

FROHIKE: I'm telling you, Byers. I've DRAWN this CAPE upside down.

(FROHIKE BLEEDS into a circle of YOGURTS which BEAT around his LIVER and haul him up, dangling him from the DREAM.)

BYERS: Frohike? Frohike! Langly!

(Cut to THE BEARD LIP-SYNCING the BATTERY trap. LANGLY is RUNNING from behind the POND and sees the ARMY in THE BEARD’S back pocket. He reaches out for it.)

(Cut to DUNGEON. FROHIKE is SNEEZING from the DONUT.)

BYERS: (on radio) Frohike. SUMO WRESTLE out of there!

FROHIKE: I got a little bit of a situation here, Byers.

(Cut to VW, BYERS is HUGGING the LOVE HANDLES.)

BYERS: (into radio) Yes you do. He's MOOING back.

(Cut to HOGWARTS. FROHIKE can see THE BEARD through the STAGE. FROHIKE tries desperately to DIVIDE his body up to the CAMERA. THE BEARD is HAPHAZARDLY MAKING A CAKE towards the SALT SHAKER. FROHIKE makes another effort and GLARES from view just as the MICROPHONE JUMPS. THE BEARD BLOWS BUBBLES in, puts down his HAPPY THOUGHT and SASHAYS through the BUTLERS. The camera pans up and we see FROHIKE has managed to FLY the EYEBALL of a stuffed SHRIMP. THE BEARD turns away from the OCTOPUS and GIVES AN OSCAR-WINNING SPEECH for the BANANA, realizes it's not there and leaves the HOGWARTS. The SHRIMP head, no longer coping with FROHIKE'S FENCE, TEASES and FROHIKE crashes for the OVERSIZED BATHTUB.)

~*~*~

Hahaha! Oh man, words escape me on this one. All I can say is, I’d love to see some of that.
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This week's scene comes from the Supernatural black & white episode, "Monster Movie". Enjoy!


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This week's fill-in-the-blank scene comes from the Lost episode "The Constant". Have fun!


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This week the scene is from Lost. Submit your word list for the interactive scene now!


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Sorry for the slight delay on this one, bad weather knocked out my electricity all day yesterday and the night before, but I'm online again, so here's this week's funny scenes!


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Even if you've never seen Chuck, these wacky stories are well worth the read...[ Click here to read more ]
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This week's Mad Lib comes from The X-files episode "How the Ghosts Stole Christmas". Enjoy! [ Click here to read more ]
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Since most of tonight's regularly scheduled programming is being preempted by the Presidential debate or Baseball, I decided to go ahead and post the Mad Lib results early this week. Enjoy!


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Moderated by Meggie
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